Miles Davis' Bitches Brew (33 1/3), by George Grella

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Miles Davis' Bitches Brew (33 1/3), by George Grella

Miles Davis' Bitches Brew (33 1/3), by George Grella


Miles Davis' Bitches Brew (33 1/3), by George Grella


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Miles Davis' Bitches Brew (33 1/3), by George Grella

It was 1969, and Miles Davis, prince of cool, was on the edge of being left behind by a dynamic generation of young musicians, an important handful of whom had been in his band. Rock music was flying off in every direction, just as America itself seemed about to split at its seams. Following the circumscribed grooves and ambiance of In A Silent Way; coming off a tour with a burning new quintet-called 'The Lost Band'-with Wayne Shorter, Chick Corea, Dave Holland and Jack DeJohnette; he went into the studio with musicians like frighteningly talented guitarist John McLaughlin, and soulful Austrian keyboardist Joe Zawinul. Working with his essential producer, Teo Macero, Miles set a cauldron of ideas loose while the tapes rolled. At the end, there was the newly minted Prince of Darkness, a completely new way forward for jazz and rock, and the endless brilliance and depth of Bitches Brew.Bitches Brew is still one of the most astonishing albums ever made in either jazz or rock. Seeming to fuse the two, it actually does something entirely more revolutionary and open-ended: blending the most avant-garde aspects of Western music with deep grooves, the album rejects both jazz and rock for an entirely different idea of how music can be made.

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Product details

Series: 33 1/3

Paperback: 144 pages

Publisher: Bloomsbury Academic (October 22, 2015)

Language: English

ISBN-10: 162892943X

ISBN-13: 978-1628929430

Product Dimensions:

4.7 x 0.4 x 6.5 inches

Shipping Weight: 12.6 ounces (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

18 customer reviews

Amazon Best Sellers Rank:

#699,093 in Books (See Top 100 in Books)

Well done. The unresolvable problem for Miles' writers is that even academic presses require a certain degree of accessibility for readers who are not professional musicians--that's reasonable, but it also requires writers to "paint a picture" of what's going on in the music rather than actually describing and analyzing it.

I agree with all the reviews so far. I found the specific analysis/description of all the tracks in the chapter starting on page 64 to be very well done. I would like to add some details that Grella neglects. In "Pharoah's Dance" at 15:00 you can hear someone laughing right after the splice. It sounds to me like the laughter of great satisfaction with what is happening, as if saying, "Yeah, this is so cool." Then in "Bitches Brew" there is and interesting portion of Miles' solo that has been intricately cut and spliced by Teo Macero (presumably). Starting at 10:32, portions of the next 10 seconds of the solo are repeated three times. After the first 5 seconds (10:32 to 10:37) it is repeated but this time going 1 second longer to 10:43; then it is repeated a second time but now for 10 seconds, at which point all but one note (!) of that 10-second portion of the solo gets repeated yet again. Finally, on page 84 in the section on "Spanish Key" Grella says, "Shorter sounds alternately purposeful and aimless." OK, but I would describe Shorter's solo from 8:04 to 8:21 as brilliant--a series of upward phrases each syncopated differently and each starting upward from a lower note. Obviously for me this is an album that has stood up to careful listening for decades. Congratulations to Grella for writing an entire book that gives Bitches Brew the attention it deserves.

There are plenty of details to accompany the analysis of this iconic recording, and G. Grella is an attentive listener who will guide you through them with rigor and precision. But this is mainly a book about the art of jazz in America and its power of transformation written in splendid prose by someone that has the ability and the knowledge to look at, and express, the many facets of this cultural phenomenon.

Terrific blow by blow, second by second precise of this seminal work by Miles Davis. Essential to helping us understand the vast importance of this work.

It's a good analysis of the album. Wish there'd been some more info about the actual recording sessions (my constant complaint with this series), but I'd still recommend it.

Thoroughly researched, meticulously detailed this is must read for fans of Miles Davis, jazz fusion or just great writing. Cannot say enough good things about this text. A wonderful addition to the 33 1/3 series.

Great book. The author does a great job of breaking down the music and the cultural context and impact of Bitches Brew on the jazz and pop music landscape at the time and beyond. Highly recommended.

Exactly as described, thanks.

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